Kechiche’s powerful same-sex love story wins Palme d’Or

French-Tunisian director Abdellatif Kechiche's heartbreaking, erotic lesbian romance "Blue is the Warmest Color" ("La vie d'Adèle") won the Palme d'Or at Cannes Sunday night. The Coens' "Inside Llewyn Davis" took the second-place Grand Prize.

Vampires, Polanski, and Palme d’Or predictions

The last two competition films, Jim Jarmusch's "Only Lovers Left Behind" and Roman Polanski's "Venus in Fur", were minor pleasures. Meanwhile, Kechiche's "Blue is the Warmest Color" and Farhadi's "The Past" are among frontrunners for the Palme d'Or.

‘The Immigrant’ divides as Kechiche, Ozon court controversy

As "Cannes fatigue" set in, James Gray's long-awaited "The Immigrant", a solid, but uninspired period drama starring Marion Cotillard, screened for the press. Meanwhile, French directors François Ozon and Abdellatif Kechiche sparked controversy.

Abdellatif Kechiche’s lesbian romance is a masterpiece

Cannes' competition soared Thursday with French-Tunisian director Abdellatif Kechiche's "La Vie d'Adèle" ("Blue is the Warmest Color"), a brilliantly acted, intensely erotic three-hour drama about a teenage girl in love with a slightly older woman.

Ryan Gosling a no-show as Cannes jury member opens up

Ryan Gosling was a no-show for the competition entry he headlines, Nicolas Winding Refn's "Only God Forgives", and Chadian crime film "Grigris" was underwhelming. Meanwhile, juror Lynne Ramsay told us what she's looking for in a Palme d'Or winner.

Michael Douglas, Matt Damon light up Cannes in gay romance

Valéria Bruni Tedeschi's "Un chateau en Italie" ("A Castle in Italy") was all but forgotten when Michael Douglas and Matt Damon stepped in the spotlight as lovers in Steven Soderbergh's entertaining competition entry "Behind the Candelabra".

US, Palestinian thrillers about violence and vengeance electrify Cannes

Outside the main competition, two thrillers struck a nerve at Cannes the last two days: American Jeremy Saulnier's "Blue Ruin", about a drifter out for blood, and Palestinian Hany Abu-Assad's "Omar", about young men fighting the Israeli occupation.

Palme d'Or goes to Michael Haneke's 'Amour', a portrait of love and death

The coveted Palme d’Or went to Austrian filmmaker Michael Haneke’s “Amour”, a sober, gorgeously directed portrait of an elderly couple facing terrifying questions of life and death. Some of the jury's other choices left people scratching their heads.

Palme of reason or Palme of passion?

One day before the big prizes are handed out, Cannes has a serious case of Palme fever. Will the jury go for the Palme of reason ("Amour"), the Palme of passion ("Holy Motors"), or something unexpected?

Heartthrob Robert Pattinson fails to deliver in Cronenberg's 'Cosmopolis'

"Twilight" heartthrob Robert Pattinson fails to deliver in David Cronenberg's sleekly beautiful, but dramatically lifeless competition entry "Cosmopolis". Elsewhere on the Croisette, three furry, four-legged performers picked up prizes.